There is no doubt that from the artistic and commercial standpoint, the second decade of the third millennium CE has been the most fruitful decade for the industry. That was when sporadic attempts by young and still mostly unknown filmmakers like Sachin Kundalkar, Umesh Kulkarni and Ravi Jadhav to explore unfamiliar themes and untested techniques got consolidated into a revolution with the emergence of a new breed of visionaries whose dazzling corpus has been embraced by critics, award juries and, most importantly, the movie-going public. But the new wave of Marathi cinema as we know it today had its true genesis in 2011. Few would disagree that Sandeep Sawant’s Shwaas (2004) marked a turning point for Marathi cinema in the first decade of the 21st century.
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